The ‘well researched’ novel, sounds a serious, humorless thing. Alessandro Gallenzi, clearly draws on inspiration from his time in publishing, like he did in his previous novel Bestseller, and also on some meticulous research of a time gone by for his new novel, The Tower.
Principally, it is the late fifteen hundreds. Giordano Bruno, revolutionary thinker, inspired by the Copernican revolution thinking about the world and the Universe outside the dominant paradigm of creationism, is being pursued for being a heretic. Alternating between the seven years of Giordano’s trial, and the present day story of Peter Simm’s and assistant Giulia Ripetti, they search for one of Giordano’s missing documents in Amman, Jordan.
Not that the two narrative arcs mirror each other completely, but mirroring the construction of St Peter’s Basilica in the 1590’s , is that of the ‘The Tower’ in the present day. It is going to be the tallest building in the world and Gallenzi describes it’s come to existence as “it [money] flowed from banks, from hedge funds, from private equities and from shareholders’ pockets all over the globe. That was the invisible sap pushing up this rootless, preposterous tree in the middle of the desert.” Here, a vast digitization project is being undertaken, where they plan to scan every text in the world in a digital library. Although, Google is referenced once as a potential rival, it sounds a lot like Google, but with a conspicuous sounding name (Biblia).
One of Bruno’s texts goes missing, along with priest sent by the Vatican to study them, and Peter and Giulia are plunged into this mystery. It sounds slightly Dan Brown, and even more Dan Brown, when Giulia finds a conspiratorial ‘message’ left in her Bible
“There was a dead earthworm cut in half. Either side of it, the words BOOK and WORM were scrawled in what appeared to be blood.” A literary illuminati.
But the book, thankfully is not Dan Brown, although Peter and Giulia’s relationship is at times an underdeveloped cliché. If anything, it’s a satire of the Dan Brown inflicted publishing world, marketed (maybe jokingly) as a thriller, because that would be to undermine it. What the two towers represent, if anything, is the imposing ideologies of the two worlds Peter, and Giordano represent. For Giordano, it’s obviously religion. But for the present world, although slightly insinuative that religion has a part to play in it, it is the wealth, the internet, the mega-corporations. So it would be crass to call it all Orwellian, but the present day scenario Gallenzi constructs certainly is. It is essentially ludicrous, but that is some of the beauty of it, “Our ambition is to have all the world’s books, magazines, newspapers, manuscripts digitized by the year 2020.” Implausible sounding but all too real, and sounded off by a mawkish American, Gallenzi uses the tower to make visible what we cannot see – the invisible, operating in cyberspace, or the deep bowels of government to keep information free from access.
It is a grand caricature. It might be slightly thrilling for you, in this world of metaphor. Giordano’s great theory is built on this idea of pictures and images “he simply thought that human language is weak limited. He believed in the power of images.” Bruno, the great mnemonic sounding early Wittgenstein. Because, although it might not necessarily be a thriller, Gallenzi does have a tendency to unnecessarily kill the pace. There are the paragraphs of rhetorical questioning, some pushing a page, that become as frustrating as they do stultifying. For the two narrative arcs as well, due to the length, they feel slightly undercooked (it has to be noted that there is a twelve page historical end note which cuts the fiction off at 299 pages). But as a suspected terrorist climbs the tower, you’re forced to ask yourself, who is the terrorist. Where are the freedom of information fighters?
There are many different ways you can read the whole novel. I saw it as a satire; a satire of Christianity; a satire of the internet age; a satire of google; a satire of publishing; even a satire of the Dan Brown novel. And as Freud said, a joke is a serious thing, and within The Tower, the well-researched novel, there is a serious message that deserves to be read.
The Tower by Alessandro Gallenzi (311 pp.) is published by Alma Books and is out now (£12.99 rrp.). Thank you to them for providing a review copy.